Tuesday, March 27, 2012

New Exhibits opening this May

My four person, charcoal and pastel pencil on plywood installation, Domination Extinction will be in the Huntsville Museum of Art's Red Clay Survey, opening May 20th-Sept. 19th in Huntsville, Alabama.

The Red Clay Survey is a major recurring regional competition sponsored by the Huntsville Museum of Art. The exhibition “takes the pulse” of contemporary Southern art every three years through a selection of work in all styles and media determined by jurors with strong national credentials. The exhibition recognizes and encourages excellence, and provides a permanent record of the development of regional art through the publication of a comprehensive, award winning catalogue.

I will have two paintings in the Clarksville, Tennessee Customs House Museum National Exhibit, which opens May 10th and runs through August 5th.

 Confrontation         oil on linen
Impaled Strawberries      oil on canvas

Monday, March 12, 2012

Inclusion in new book

The International Drawing Annual publication was conceived as an extension of Manifest's Drawing Center mission to promote, feature, and explore drawing as a rich and culturally significant art form.
The goal of the International Drawing Annual is to support the recognition, documentation, and publication of excellent, current, and relevant works of drawing from around the world.

This press makes great contemporary art survey books, plus wonderful exhibit catalogs of every exhibit in their gallery space. I've got a couple pages in this book, which gets released mid-March. There are a couple of other Tennessee artists in it, plus Christine Wuenschel, an Indiana based artist that I'll be having a 2 person exhibit with at Yeiser Art Center in Padukah, KY this fall.

Sunday, March 4, 2012

"War ot the Lawn Ornaments"

"War of the Lawn Ornaments"
March, 2012, at The Balcony in the Emporium Center for the Arts, 100 Gay Street, Knoxville, TN
Wildly underwritten by: The Society for the Preservation of Lawn Art, with help from the Knoxville Arts and Culture Alliance.

There is a remote place in East Tennessee where concrete garden statuary has been manufactured for 50 years, with some of the molds even older than that. This place is like some strange kind of archeology site of the distant past, already unearthed. Within just moments of being in this place, the concrete characters, both human and animal, seem to assume a life force that begs you to come see them, and listen to their stories. The concrete beings were amassed on pallets in the craziest juxtapositions and "conversational groupings", and there seemed to be no end to the narratives contained there. There was pain, evil, and absurdity. Disturbingly, some of the figures still produced there were reminders of a South that should already have been extinct, but they were still there in all their racially offensive horror.
The second location was a business in North Tallahassee, Florida. Totally different souls trapped in concrete were found there.
My favorite sculptures were the religious one-only love and devotion could be motivators for them. I grew up in Massachusetts where the Virgin Mary is in so many yards, so I never tire of spotting her. I had a total of around 28 photos from both sites in the exhibit, and am posting just a few.

Tallahassee: Our Lady of the Giant Chicken #1/ iPad photo

Tallahassee: Heads in the Weeds/ iPad photo
Tennessee: Leda and the Swan/ lomography

Tallahassee: Our Lady of the Giant Chicken #2/ lomography

Tallahassee: The Decapitation of Pocahontas/ lomograpy- red scale film
Tennessee: Baby Gets His Cow/ lomography- red scale film
Tallahassee: Bad Manners/ lomography

Tallahassee: Bad Recess/ lomography
Tennessee: The Miracle of the Light Leak/ lomography pigment transfer on panels

I made three clay figure dioramas for the exhibit. Artist statement for "The War of the Lawn Ornaments: Payback":
Quite a while ago there was a KKK Rally up in Cocke Count on the courthouse steps. It was raining, and the police and their service dogs were everywhere. I wanted to see these fools I had only seen in news broadcasts in person. I had family members harassed and targeted by them in the early 20th century New England town I also grew up in. My newspaper photographer grandfather had even been sent on assignment to take photos of a rally during that time, but my grandmother, horrified at the sight of them, destroyed the negatives she later found in the house. I went up to Newport with my cameras to the counter rally, standing by Earth Firsters pounding on dry wall buckets, church people with banners proclaiming Love They Neighbor, and the press. There was one bearded Klan member wearing the requisite dunce cap that looked just like a demented garden gnome. I wanted to do something with the idea of deranged KKK garden gnomes ever since, and I finally got an excuse!
Detail: All the jockeys got a special weapon. The one depicting my great-grandfather LeBeau (3rd from right on top pic) got  big machete.
"Her Lust Lay Heavily Upon Them" polymer clay, wood, fake grass, dirt. This is a recreation of an exact tableau found on site.
"One Epoch in the Life of a Lawn Goddess"/polymer clay, hand built 1954 trailer, and lots of random found materials, resin, and glue
"Midnight in the Garden of Concrete and Shadows" cut paper photographs, wood, transparency film.

We had an interactive board for visitors to tell us their stories of lawn art, and we got great ones!