Wednesday, November 3, 2010

Latest Juried Exhibits



Evansville Museum of Art and Science, Evansville, IN
("Another Clean, Well Lighted Space" has been awarded a museum purchase prize)

55th Annual Mid- States


December 12, 2010 – March 6, 2011

Presented in partnership with the MARGARET A. CARGILL FOUNDATION
The December 12, 2010 – March 6, 2011 exhibit, 55th MID-STATES ART EXHIBITION, is a regional competition open to artists in a six state area including Indiana, Illinois, Ohio, Kentucky, Tennessee and Missouri.
Over $7,000 in purchase and merit awards, underwritten by Evansville individuals, corporations, foundations and philanthropic organizations, will be presented at the December 11th Awards Reception. Purchase awards allow the Museum to acquire works for our contemporary art collection and merit awards are an important encouragement to and recognition of regional artists.
Co-owner of ACA Galleries in New York City with her husband, Jeffrey, Dorian Bergen is an advisor to the Board of Directors of the New York Open Center, one of the largest holistic education centers in the United States. She is on the board of Faith Ringgold’s Children’s Museum of Art & Storytelling and is a member of the Art Dealers Association of America and ArtTable. ACA Galleries, founded in 1932, specializes in 19th and 20th century American and European Art and Contemporary Art.
Work included:




"Mod Squad" charcoal on birch plywood 4' x 2' x 6'



"Another Clean, Well Lighted Space" charcoal on birch plywood 4' x 2' x 6'


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Target Gallery at the Torpedo Factory in Alexandria, VA. :
"5x5 Exposed"

Nov. 5-21, 2010/ Reception, Nov. 11th 6-8PM

5x5 exposed is a small works photography exhibit that includes work from 46 artists from around the country and world.The juror is photography expert and gallery owner Kathleen Ewing.

I've got two lomography photographs included:



"Reenactment at 95 Degrees", inkjet on hand-subbed rag paper




"Mirage" inkjet on hand-subbed rag paper

Thursday, September 30, 2010

Two fall 2010 exhibits

16 Patton Gallery, 16 Patton Ave., Asheville, NC
Saturday, October 2 - Saturday, November 2, 2010
Reception: Saturday, October 2, 6 - 8 pm
Solo exhibition: "Anthropomorphic Produce."“Anthropomorphic Produce is a new series of paintings using vegetables and fruit acting out human situations and behavior. Human migratory patterns, so utterly important in human history for survival, have geographic and political boundaries today that create very complicated situations. Racial differences create us vs. them scenarios. Human rights are violated. Is that what's going on in these paintings, or are they just hyper-realist renderings of light saturating the color and texture of both common and exotic produce?”




Observation

Three-Quarters

Packed In

Mango Pattern


Impaled Strawberries

Hot Strung

Fruit Spear

Confrontation

Conference

Blood Oranges

The Arts Company, 215 5th Ave. of the Arts, Nashville, TN

First Saturday Art Crawl Reception: November 6, 6-9 pm Donuts Behaving Badly: An Anthropomorphic Food Exhibit
In my “Donuts Behaving Badly” series, all forms of scandalous behavior are imagined. If it is hard to guess what is happening, the painting titles, such as “Binge and Purge”, and “The Immaculate Confection” give it away. Donuts are wonderfully fleshy and human, and can lay about with far more lethargy than even a dog on a hot day. The first series used the powdered and overfilled donuts I’ve purchased from Dunkin Donuts as subjects. The second series contain the more tan and muscular Krispy Kreme donuts acting out “The Seven Deadly Sins”.


Smear

Knocked Out

Lust

The Immaculate Confection

The Morning After

Boston Creamed

Binge and Purge #2

Drunks
Wrath

Pride

Sloth

Greed

Gluttony

Envy

Friday, September 10, 2010

Time to Eat the Donuts/8-2010



I was one of the 1st to exhibit in the new Clayton Center or the Arts complex at Maryville College in their niiiice double gallery space (BlackberryFarms Gallery) in the smaller building. (The construction had so many corporate sponsors that virtually every detail of the place has names. Dr. Mark Hall, head of the art dept., even dedicated a toilet stall to someone. It is in the men's room, so I was never able to verify the brass plaque that is on one of the doors.....but it is very amusing stuff).

My exhibit was titled "Eat Me", and was compiled of anthropomorphic food paintings. Everybody focused on the donuts, of course..and the impaled strawberries. We even had donuts at the reception. I was kind of disapointed that the exhibit didn't attract any cops, but a security guard did walk through at one point.

Monday, July 26, 2010

Quantum Confusion: Plywood and Plexiglas Drawing Installation


It's been one year in process, and I finally installed it today for a group figurative exhibit: Continuare: The Figurative Tradition in Contemporary Art , at the Ewing Gallery at the University of Tennessee, Knoxville. The exhibit runs from Aug. 1- Sept. 12th and also includes East Tennessee artists Bain Butcher, Judy Condon, Lynda Evans, and Carl Gombert; Asheville artist Virginia Derryberry, and Florida artist Thaddeus Erdahl. There will be an afternoon closing reception Sun., Sept. 12th. Gallery summer hours are Tues. -Fri. 12-4, and will be switching to regular hours when school opens.


There have been many theories given to the existence of many, or parallel worlds, both in the disciplines of Quantum Physics and Metaphysics. They range from solid research that can deliver actual theory-proving data, to the more esoteric work of Lewis and Kripke, which has a tendency to sound like the conversation of a couple of 1960’s era grad students on acid. Popular media occasionally tries to produce their own version of these theories, from an episode of “Lost in Space” that scared the pants off me when I was a kid by showing characters on the program walking into another world through a special mirror portal, to the contemporary and excellent Fox network series “Fringe”. Whether any parts of these theories eventually prove to be true remains to be seen, but with further developments in the world of Quantum Physics, we are constantly reminded that the more we discover, the less we know.
My own installation plays with the portal idea, using Plexiglas (instead of a mirror). The Physicist, with her pencil and clipboard, is the only alert presence, as the other participants complacently participate in something they haven’t figured out yet.

The installation size is approximately 8’W x 16’L x 8’H, and contains eleven full scale charcoal portraits on cut-out plywood. They are mounted on black ½” plywood floor stands. Two sheets of 4’ x 8’ Plexiglas are both sandwiched between emerging and disappearing people, and are also stabilized by cables connected to the ceiling.


rear view


right angle



detail

Tuesday, March 16, 2010

Recent Exhibits: Plywood People

From fall '09 to spring '10 my plywood people have been going on road trips and having fun. Most recent is Modern Girls, Contemporary Tennessee Women in Art at the Custom House Museum in Clarkville. It is an invitational survey put together by Terry Jordan, curator. They just did an amazing job installing this exhibit. There is a ton of Adrienne Outlaw's work which added even more interactivity with viewers, but what is cool is that work that is interactive with viewers tends to be interactive with the work of all the other artists in the gallery.

URBhana 3

From Clarksville Online:

"Women’s History Month at the Customs House Museum is a special treat for the eyes. Opened on the second of March, Modern Girls is a show of contemporary works by Tennessee’s foremost female artists.
The exhibit includes known painters April Street, Edie Maney, Julia Martin, and Jennifer Utterback, woodturner Brenda Stein, installation artists Adrienne Outlaw and Sher Fick, award winning watercolorist Anne Bagby, multi-media artist Denise Stewart Sanabria, sculptor Irene Ritter and Annamaria Gundlach, and photographer Caroline Allison. Curator, Terri Jordan, says of the exhibit, “I wanted to focus this Women’s History Month on some of the talented women currently making their way in the art world, that have a connection to Tennessee."
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I put in two new pieces that are part a Quantum Physics conceptual installation that is part of a group figurative exhibit this summer at the Ewing Gallery/UTK. , and an older piece, "Aaron".


Karley



panoramic gallery view

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Nashville's 1st Saturday Gallery Crawl at the Arts Company. Most of the work was from the abandoned photo album series I had at the Tennessee Art Commission Galleries "Skeletons in Closets" back in July '08 with Laura Chenicek. Fun night, tons of people out on a nice, warm night.



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Who are the Live Humans? If I cut out the color saturation, it is harder to tell. A two-person exhibit this winter with Atlanta painter Corey Barksdale at Creative Art Guild in Dalton, GA.


Corey's wife and daughter check out Daddy's paintings.


Pre-reception-only flat people.

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Another big installation in a long corrider gallery at The Renaissance Center in Dickson, TN
Also showing in this cluster of three exhibits was Greg Schlanger and Jodi Hays.

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Back in fall '09- winter '10, seven of my people went to The William King Museum in Abingdon, VA for their biennial survey of contemporary art in the Appalachian Highlands, "From These Hills". Mod Squad looks particularly interesting viewed through Travis Graves' "Action and Consequences". There was a ton of really cool emergent work in this exhibit.-video, installation, conceptual pieces using found objects, and bizarre and wonderful photography.

Saturday, December 12, 2009

Latest Donuts


Bite. It's a big one- 42" x 48". I'm eager to finish this series (4 more to go) so I can buy more donuts to set up the next series.

Sunday, December 6, 2009

Snake Box







This works-my husband's 1st reaction was that it was real. The graphite snake drawing is fused on mylar, then nailed on supports that project out of a dowel you can rotate with knobs on the side of the frame. I filled the box (Had to hand build it) with ink jet prints on vellum of leave scans, and real milk weed seeds. 3 views during rotation: