Saturday, February 11, 2017

Upcoming Spring Exhibits

Upcoming Exhibits This Spring

Contemporary Patterns

People # 67 charcoal and pastel pencil on plywood  72" x 24"
I'll be having a solo exhibit of paintings and plywood drawings at Robert N. Moore Jr. Gallery , O’More College of Design, Franklin, TN for the month of March. It is being curated by my Nashville Gallery, The Arts Company.     Opening reception is First Friday March.
Saint Anne Says Not Now graphite, cut Italian rag paper, acrylic orbs, rhinestones, metal, ceramic, and hand built wooden altar   18" x 12"
I've got one of my Misappropriated Mythology Alter series pieces this year in the "36th International Print and Drawing Exhibition" , Bradley University, Peoria, IL  March 11- April 17
Bad Girl Games   silverpoint, graphite and watercolor on cut gouache toned paper, cut glass in resin in hand built altar frame   20” x 13”

If Susanna Had a Bad Ass Friend
silverpoint and graphite on cut gouache toned paper, cut paper, stones, resin, hand-built altar frame   21” x 23”
I've got two of my Misappropriated Mythology Alter series pieces going to the
28th National Drawing & Print Exhibition”, Gormley Gallery, Notre Dame of   Maryland University, Baltimore, MD  March 27 through April 28, 2017  
People # 60,63,64,65,58   charcoal and pastel pencil on wood  72" x 82" x 24"
I've got a plywood drawing installation going to this year''s ArtFields 2017, Lake City, SC, April 21- 29. My exhibit venue is the Ronald E. McNair Life History Center on 235 East Main Street.


Sunday, January 29, 2017

"Demographically Speaking" at Lexington Art League's Louden House

Demographically Speaking  

Lexington, KY
Jan. 27-Feb 19

"Lexington Art League is excited to announce the return of our ever-popular figure show with this exclusive evening of art, music, and dancing. The Fourth Friday for Demographically Speaking, a Figurative Exhibition will provide a look at the exhibition curated by Daniel Pfalzgraf, Chief Curator of the Carnegie Center for Art & History in New Albany, Indiana. Posing the question, 'whose stories are being told in the art world?' the new dimension and unique perspective Pfalzgraf brings to the traditional figure or nude show aims to provoke audiences to consider the diversity of our city, our region, and our country through stories of identity told through art."

People # 55, 56, 57  charcoal and pastel pencil on plywood
I had three plywood installations of three plywood drawings each in the exhibit. Pfalzgraf, who was present and whom I got to speak with, wanted to see what an entire room of them would look like. They were appropriately housed in the room where the reception drinks table was placed. They did their virtual reality thing while remaining sober. 
People # 49, 50, 60 (L) and People # 55, 56, 57 (R)  charcoal and pastel pencil on plywood. People #38, 39, 40 is on opposite wall
Having a major Arts non-profit housed in a place as fantastic as the renovated Victorian mansion known as Louden House is a coup for any city. The entire ornate interior has been made sculptural and simplified by a solid coat of white paint. Their exhibits take over every stately room and hallway. I had been to previous exhibits, and really wanted to see my work impacted by those surroundings. Their upper floor is leased studio spaces.
Christopher Troutman's Kagoshima Overpass, ink and charcoal on watercolor paper dominated the main gallery
 Though this was a national exhibit, most of the artists were regional, and I always get exited when I find I'm exhibiting with people I know or have exhibited with before. I had exhibited previously with Yvonne Petkus, a professor at Western Kentucky University, at The Customs House Museum in Clarksville, TN in an exhibit curated by Terri Jordan. Petkus had two paintings in the exhibit. (below, left) The ink drawing over the mantel is of a body-less pair of dropped pants by Hayward Wilkerson.
Randy Simmons, professor at the Paducah School of Art and Design has curated my work into three past exhibits in two separate venues in Paducah, and I was in Drawing Discourse with him at UNC/Asheville in 2016. He does largely reductive charcoal drawings, and his Pool Series: Alex was also in the same gallery room as my work (below).

The staff at LAL came up with the excellent idea of having three hours of nude life-drawing during the reception, led by three volunteering exhibiting artists. I couldn't resist- and led the final hour. Kind of-total absorption had already kicked in. Best figurative exhibit reception idea ever. If people weren't drawing, they were watching people draw.
After, someone asked me if I had ever seen this done at a an opening before- and I hadn't...BUT I remembered later that at Carnagie Mellon University's symposium, Draw 2014, they had this event called "Drawing with Nicole Eisenman" (she won the Carnegie International that year) where they had nude models placed all over the Carnegie Museum after hours, and artists went to pose locations to sketch while Eisenman and her young daughter wandered around and enjoyed the process. It was an awesome night, and also the best idea ever.

Sunday, January 22, 2017

Quantum Continuum at Oconee Cultural Arts Foundation

 Quantum Continuum at Oconee Cultural Arts Foundation

Watkinsville, GA

Tuesday - Saturday, 10am-4pm thru February 17

I've re-configured this installation in various ways over the last few years-all unique.
Quantum Continuum  charcoal and pastel pencil on plywood, plexiglass
Artist Statement
The concept behind “Quantum Continuum” involves the many theories given to the existence of many, or parallel worlds, both in the disciplines of Quantum Physics and Metaphysics.  They range from solid research that can deliver actual theory-proving data, to the more esoteric work of Lewis and Kripke, which has a tendency to sound like the conversation of a couple of 1960’s era grad students on acid.  Popular media occasionally tries to produce their own version of these theories, from an episode of “Lost in Space” that scared the pants off me when I was a kid by showing characters on the program walking into another world through a special mirror portal, to the recent tv series “Fringe”.  Whether any parts of these theories eventually prove to be true remains to be seen, but with further developments in the world of Quantum Physics, we are constantly reminded that the more we discover, the less we know. 

 I got some great human interaction with the work during the opening reception!
Opening night-people wandering around
I like to turn reception images to monochrome so that it is harder to tell who is real and who is drawn.
Wood Works: A Regional Exhibit, curated by Abraham Tesser,  is in the venue's other gallery, running the same time slot, and it is engrossing! It features the work of over 35 regional woodworkers, turners, and fine artists, including three from Tennessee-Craig Nutt among them.  
Some of my favorites:
Multiple Leonard Piha's to the left, Tad Gloeckler's ROOM- Drawer #D2 -PKDT- S.F. (FR)-(deployed) front center, Cameron Lynden's work on the wall

Two Craig Nutt pieces, center and right

Tad Gloeckler's Fly-Paper Dispenser Rod

Sabitha Mujtaba's Entrance (mirror)

Monday, December 19, 2016

Plywood drawing installations at: "Demographically Speaking, a Figurative Exhibition"

"Demographically Speaking" 

Loudoun House, Lexington Art League, Lexington, KY

Jan. 13 - Feb 11
People # 49, 50, 60 charcoal and pastel pencil on plywood  50"w x 72"H x 24"D

I've got three multi-piece plywood drawing installations going to the upcoming annual figurative exhibit at the Lexington Art League Loudoun House galleries. 
Opening public reception is Friday, January 27th
There will be a ticketed opening party Fri., Jan. 13th:
"Lexington Art League is excited to announce the return of our ever-popular figure show with this exclusive evening of art, music, and dancing. The Opening Preview Party for "Demographically Speaking, a Figurative Exhibition" will provide the first look at this evocative exhibition curated by Daniel Pfalzgraf, Chief Curator of the Carnegie Center for Art & History in New Albany, Indiana. Posing the question, 'whose stories are being told in the art world?' the new dimension and unique perspective Pfalzgraf brings to the traditional figure or nude show aims to provoke audiences to consider the diversity of our city, our region, and our country through stories of identity told through art. 

Demographically Speaking will feature music by Joslyn & The Sweet Compression and video installations by artist Nick Warner.

The Opening Preview Party is graciously sponsored by Marnie Clay HoloubekEnderle Besten Dieruf, PLLCQX.netWest Sixth BrewingMD-Update KY."

Friday, November 18, 2016

New Work at The Arts Company/Nashville

New Work at The Arts Company, Nashville, TN

November- December, 2016

The following work is available at The Arts Company in Downtown Nashville (One bock up from the Ryman Auditorium). I've also got a five page article in the November Nashville Arts Magazine.


Humans do things that amaze, entertain, and occasionally horrify me. If I documented them literally, I would probably have constant censorship issues. What if, however, I used food as a stand in for humans? Not only would it be amusing, it could even be delicious! Over the years, I have had pears enact Inquisition scenes, impaled maraschino cherries on nails, and had donuts enact the seven deadly sins and various fertility rites. My recent work involves allegorical narratives, driven by historical wallpaper appearing behind iconic contemporary baked goods and candy. A classic, regal French design is paired with a partially devoured Black Forest cake and decomposing flowers, and then appears again behind a King Cake, which is disgorging it’s Mardi Gras beads. A classic French Pastoral Toile print in a decidedly non-traditional color looms above a stack of artificially colored Moon Pies and junk food. A classic Asian Toile peopled with Godzilla and his fellow movie monsters sits behind a vast array of candy that does not appear to come from the natural world.

 Still Lifes, or Vanitas, which is the genre these works most closely fit in with, were originally domestic images containing items symbolic of life and death. The items in mine act out narratives.
Past Freshness Date   oil on canvas   4’ x 5’  
Post Atomic Candy  oil on canvas  36” x 36”  
18th Century French Pastoral Toile Culture Shock  oil on canvas 3’ x 6’ 
#130 Classic Coral Cream Glitter oil on panel  24” x 24”
Crazy Cakes #1 oil on panel  30” x 30”
Sticky  oil on canvas   3’ x 5’  
King Cake Glitter  oil and glitter on canvas  36” x 36”  

Hot, Smeared and Melted  oil on canvas
Continuing French Relations   oil on canvas   22” x 28”  
The Loss of Virginity  oil on canvas  36” x 48”  

Work on Wood

People 61, 62  charcoal, pastel pencil, metallic ink on plywood 47” H x 42”w

Urban Transition   26” x 42” x 2” archival ink on 3 layers of wood, metal, plastic  

The Exultation of the Quotidian   charcoal, pastel pencil, gold leaf and stones on plywood/  24” x 48”